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[book cover] The Medium Is the Monster

Mark A. McCutcheon

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April 2018

9781771992367 (Hardcover)
9781771992244 (Paperback)
9781771992251 (PDF)
9781771992268 (ePub)

$100.00 (hardcover)

$29.99

Subject
Literature / Technology

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About the Book

Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s 1818 novel Frankenstein that effectively reinvented the meaning of the word for modern English. It was then Marshall McLuhan’s media theory and its adaptations in Canadian popular culture that popularized, even globalized, a Frankensteinian sense of technology.

The Medium Is the Monster shows how we cannot talk about technology—that human-made monstrosity—today without conjuring Frankenstein, thanks in large part to its Canadian adaptations by pop culture icons such as David Cronenberg, William Gibson, Margaret Atwood, and Deadmau5. In the unexpected connections illustrated by The Medium Is the Monster, McCutcheon brings a fresh approach to studying adaptations, popular culture, and technology.

 

About the Author

Mark A. McCutcheon is professor of literary studies at Athabasca University. His scholarly publications include articles on such subjects as Canadian popular culture, Frankenstein adaptations, and copyright policy in English Studies in Canada, Digital Studies/Le champ numérique, Continuum, and Popular Music, among other scholarly journals and books. Mark has also published poetry and short fiction in literary magazines like EVENT, Existere, Carousel, and subTerrain. Originally from Toronto, Mark lives in Edmonton. His scholarly blog is www.academicalism.wordpress.com and he’s on Twitter as @sonicfiction.

 

 

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Copyright: This work is licensed under a Creative Commons License (CC BY-NC-ND 4.0). It may be reproduced for non-commercial purposes, provided that the original author is credited.

MARC

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DownloadFront Matter

DownloadTable of Contents

DownloadAcknowledgements

DownloadIntroduction

Download1. Technology, Frankenstein, and … Canada?

Download2. Refocusing Adaptation Studies

Download3. Frankenstein and the Reinvention of “Technology”

Download4. The Medium Is the Monster: McLuhan’s “Frankenpheme” of Technology

Download5. Monstrous Adaptations: McLuhanesque Frankensteins in Neuromancer and Videodrome

Download6. “Technology Implies Belligerence”: Pattern Propagation in Canadian Science Fiction

Download7. Is It Live or Is It Deadmau5? Pattern Amplification in Canadian Electronic Dance Music

Download8. Monster Mines and Pipelines: Frankenphemes of Tar Sands Technology in Canadian Popular Culture

โปรแกรมพรีเมียร์ลีกDownloadConclusion

โปรแกรมพรีเมียร์ลีกDownloadReferences

DownloadIndex